dedinhos, 2022epoxy resin [some with] steel, zip tie, cable, drilldifferent dimensions
Month: May 2023
The Giftepoxy resin, red satin bow, black velvet jewelry box 8.2 x 9.2 x 9.6 cm [3.2 x 3.6 x 3.8 in]ED 20 + 3 AP
operating table, 2023stainless steel, epoxy resin, natural human hair, glass, Cooper wire, electrical cablevariable dimensions
little curtain, 2022velvet and pins29 x 42 x 8 cm
red light bulb, steel, cable, Arduino, servo motor variable dimensions
hollow head doll’s foam, 2019-2022theatrical play without actors43’00” June 2022, SESC Pompéia photographies: Marina Lima Through various devices that animate objects, “hollow head doll’s foam” is a theatrical play without human actors that explores the uncanny possibilities of projecting a body into anthropomorphic objects. One of the key points that permeates the debate proposed by […]
hollow head doll’s foam, 2019-2022theatrical play without actors43’00” June 2022, SESC Pompéia Through various devices that animate objects, “hollow head doll’s foam” is a theatrical play without human actors that explores the uncanny possibilities of projecting a body into anthropomorphic objects. One of the key points that permeates the debate proposed by “hollow head” is […]
dollhouse, 2019wood, iron, miniature furniture, stepper motor, security camera, tube TV, arduino120 x 30 x 170 cm + TV views of the performance in “hollow head doll’s foam” at SESC Pompéia, 2022 Photography: Julia Thompson and Ilê Sartuzi
T.GIRLS, 2019-2022mannequin legs, washing machine motor, reduction, iron, wood, incandescent light bulb, arduino210 x 210 x 48 cm register acting on “hollow head doll’s foam” at SESC Pompéia, 2022 photography: Julia Thompson, Marina Lima, Ilê Sartuzi
hollow head doll’s foam, 2019-2022theatrical play without actors43’00” June 2022, SESC Pompéia . read here Tiago Mesquita’s text digital photography: Julia ThompsonBW analog photography: Ilê Sartuzi Through various devices that animate objects, “hollow head doll’s foam” is a theatrical play without human actors that explores the uncanny possibilities of projecting a body into anthropomorphic objects. […]